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The performing arts scene in Hong Kong is facing challenges due to a lack of venues, according to industry veterans. The government recently released a blueprint for arts development, which highlighted the need for more performance spaces in the city. Experts are also calling for increased private sector support to boost the arts scene.

Jacob Yu, deputy chair of the Hong Kong Federation of Drama Societies, emphasized that smaller performing arts groups are struggling to find venues to showcase their work and attract audiences. This issue is not limited to smaller groups, as even major theatre companies and orchestras have to rent venues for their performances. Mathias Woo, executive director of Zuni Icosahedron, pointed out the limitations on entertainment licenses for troupes performing outside official venues. He stressed the importance of creating an ecosystem that supports the development of both small and large performing arts groups.

The government’s Blueprint for Arts and Culture and Creative Industries Development also includes a proposal to review funding mechanisms for arts groups in Hong Kong. The goal is to establish mutually beneficial relationships between the arts and business sectors. The blueprint suggests a funding mechanism tied to performance and artistic standards, as well as a system that rotates funding among different groups to give smaller organizations a fair chance at securing funding.

However, Yu mentioned the challenges of separating the funding scheme from the nine major performing arts groups in the city. Existing funding schemes often do not extend to smaller performing groups, creating a disparity in support. To encourage more private sector support for the arts, the government is considering changes to the tax system. Yu believes that larger tax exemptions could incentivize developers and businesses to invest in the arts sector.

The blueprint also highlights the need to attract more private sector capital injections in addition to government subsidies. Compared to other countries like Japan, South Korea, and the UK, private sector support for arts development in Hong Kong is relatively weak. The government aims to launch a scheme that will encourage private sector involvement in the arts scene.

In conclusion, the performing arts scene in Hong Kong requires more venues and increased private sector support to thrive. By addressing the challenges faced by smaller performing arts groups, improving funding mechanisms, and incentivizing private sector investment, the city can enhance its cultural landscape and support the growth of the arts sector.